Digital-to-analog sound healing session

One o eight: 108 Bows of Gratitude
Location: Theodora Office
Van Abbemuseum, Eindhoven
2026

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Photography by Chris Rusiniak

Julius Eastman

Julius Eastman
Exhibition Catalog
Staatliche Kunsthalle Baden-Baden
1992

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Project Name

Hamish Fulton
Exhibition card, Rolf Preisig
1977

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Project Name

Hamish Fulton, Walking Passed
Exhibition Catalog
IVAM, Instituto Valenciano de Arte Moderno
1992

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Project Name

Hamish Fulton, Sixteen Selected Walks
Exhibition card
Kunstmuseum Basel
1975

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Project Name

Hamish Fulton, Coast to Coast Walks
Exhibition card
Victoria Miro London
1987

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Project Name

Hamish Fulton
Exhibition card
Moderne Kunst Dietmar Werle, Köln
1986

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Project Name

The Bardo Protocol:0 70 140 3 BPM AS AN ACT OF RESISTANCE
Exhibition card
Kunstverein für die Rheinlande und Westfalen, San
1998

THE BARDO PROTOCOL:

The modern rave is a simulation. We have traded the dangerous, transformative uncertainty of the true underground for a sanitized, algorithmic feedback loop. The first raves emerged as a random glitch in the system, an atypical anomaly in abandoned industrial zones where sound became a gathering point for those who didn't fit the matrix. Today, we have arrived at the era of "choreographed catharsis": a world of predictable drops and "Business Techno" that satisfies the Ego instead of shattering it.

This is a manifesto for the return of the Functional Ritual.

I. The Architecture of Transition: Sound as the Entry Point

In the Tibetan tradition, a Bardo is an intermediate state between death and rebirth. It is a moment where the old Self has dissolved, but the new one has yet to form. We use sound as the singular entry point into this interweaving of unique experiences.

LOW KEY (The Entry / The Void): Deep Drone and Ambient. This is the practice of Deep Listening. There is no rhythm to dictate what to feel. This is the moment of the listener's total presence, where external noise subsides, exposing the internal space. This is the Bardo of Dying - the moment you let go of the world.
HIGH KEY (The Peak / The Dance of Thoughts): Ritualistic rhythms at 173 BPM. At this frequency, the dance of the body transcends into the dance of thoughts. The analytical mind is unable to process such density and capitulates. You are no longer dancing to the music - the music is dancing you. This is the Bardo of Reality - an encounter with the raw energy of the Self, where every sound is an unpredictable flash.

II. System Glitch: The Magic of Randomness

Why does the "pseudo-rave" fail? Because it has excluded Randomness. Algorithms seek predictability, but a true experience of rebirth is only possible through a "glitch," through an error in the program of expectations.

The Bardo Protocol is an act of algorithmic sabotage. We return to the state where the rave was an atypical situation, a challenge to the system.

III. The Ritual of Presence

This is an invitation to view the dancefloor as a spiritual exploration.

Our sets are a Ritual. We use 173 BPM as a tool to penetrate the layer of social masks. It is about the state of "here and now," where the dance of the body becomes a dynamic meditation, and the dance of thoughts becomes a path to liberation.

SPIRITUALITY

Project Name

Hamish Fulton
Exhibition card
Yvon Lambert Paris
1973

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